The Musical Offering By Bach On Electronic Instruments By Mehmet Okonsar-www.replays.net

J. S. Bach is possibly the premier music composer of the Baroque times. Bach’s most significant compositions inside vocal repertoire end up being his above and beyond 200 church usage oriented "cantatas" combined with his four musical settings of the Passion of Christ. Inside of his requirements as "Kappelmeister", i.e. leader of chapel music, at the very many Lutheran churches in which he has worked, The "Kappelmeister" had been in charge with regard to repeating the choir, delivering music for the purpose of all the very religious services as well as writing an original cantata basically every last seven days. Bach’s utilization of counterpoint appeared to be amazing in addition to modern, and the large complexities associated with his compositional style which routinely incorporated faith based in addition to numerological representations that appear to suit completely together inside a outstanding puzzle of special codes, still astonish performers nowadays. Many contemplate him the very best composer of all time. It appeared to be inside Leipzig the fact that he composed the majority of his non secular and secular cantatas. The Musical Offering ("Musikalisches Opfer" or "Das Musikalische Opfer"), BWV 1079, is actually a set of canons in addition to fugues in addition to other pieces of music from Johann Sebastian Bach, each of based mostly using a sole musical theme given to him by way of Frederick II of Prussia (Frederick the Great), to whom they are typically dedicated. Musical Offering has its sources throughout a gathering between Bach in addition to Frederick II on May 7, 1747. The particular get together, going on at the King’s residence inside Potsdam, took place for the reason that Bach’s son Carl Philipp Emanuel had been applied there as court musician and performer. Frederick wanted to deliver J.S. Bach a novel idea, the actual piano, one of the firsts ever made, that were being manufactured many years before. The King owned some of the experimental instruments getting designed from Gottfried Silbermann. During his foretold visit to Frederick’s palace within Potsdam, Bach, who was basically well referenced for the purpose of his talent at improvising, obtained from Frederick a long as well as difficult musical theme on which in turn to improvise a three-voice fugue. He accomplished it, nevertheless Frederick after that questioned him to improvise a six-voice fugue upon exactly the same theme. The public present thought the fact that just a vicious caprice through the King, who was intent on embarrassing philosophers and artists. Bach replied that he would should work the actual score as well as send it towards the King after. Then returned to Leipzig to write down the "Thema Regium" (i.e. theme of the king). Two months after the meeting, Bach published a set of pieces centered on this theme that all of us today know as "The Musical Offering" BWV 1079. Bach inscribed the piece "Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta" (the theme provided according to the king, with add ons, resolved inside the particular canonic style), the very first letters of which spell out the word "Ricercar", a well-known genre of the time. The "Thema Regium" seems as the theme for the first and very last movements of the 7th Sonata within D Minor basically by Friedrich Wilhelm Rust, published inside 1788, and also also as the theme for the purpose of intricate variations from Giovanni Paisiello in his "Les Adieux de la Grande Duchesse des Russies," authored inside 1784, in his leaving from the court of Catherine the Great. Mehmet Okonsar released an entire version of the BWV 1079 realized on electronic instruments. It is in the currently well known European capital city of Belgium that Mehmet Okonsar really gotten practically all, he says "absolutely all", musical schooling. For the duration of this era of problems who has been the seventies in Turkey, Okonsar connected on both friendly and professional basis with a pianist and conductor, ex-student of Pierre Sancan. Through this specific camaraderie he mastered basic principles of the keyboard concepts of Pierre Sancan who was the teacher of pianists like Michel Beroff and the student of Yves Nat. Even at his earliest public appearance in 1979, the actual eclecticism of his recital programs ahead might be observed. He presented a collection of the Preludes by Messiaen among others. The piano studies of Okonsar finished with the best honors any student could ever get at the Royal Conservatory of Brussels. "Premier Prix avec Distinction", performing the "Dante Sonata" by Liszt pursued by "Diplome Superieur de Piano Avec la plus Grande Distinction, Premier Nomme", in 1986, executing the Piano Concerto Op. 42 by Arnold Schoenberg. At the conclusion of his piano studies, Okonsar enjoyed the benefit of working with most significant composers of Belgium: Madame Jacqueline Fontyn. He additionally studied with a pupil of Messiaen, Claude Ballif. In 1989 he will get his diplomas in Composition-Orchestration from the Royal Conservatory of Music of Brussels. Okonsar performs at this point from Turkey on a tight timetable concertizing, composing, writing as well as teaching. He owns and manages a CD label exclusive to his own recordings, LMO-Records, plus a publishing organization "inventor-musicae." Functioning extensively on technical things, as he remarks "the actual technology might actually "totally free" the artist", his studies were introduced in a lecture at the Yamaha headquarters in Hamamatsu, Japan. Virtually all the very facets that belong to the big opus by J. S. Bach is certainly rendered together with most suitable readability and style throughout a selection of "sounds" and also "instruments" applied. Significantly more "human" than Wendy Carlos, considerably less "passionate" than Tomita the result is certainly genuinely remarkable. Two unique imaginative options taken by the Mehmet Okonsar truly worth observing. Very first he decided to employ sampled medieval instruments (i.e. viols "da gamba") for the Sonate in Trio. The actual sound made from those viols and the block flute is undoubtedly magnificent. Next he purposely elected to allow the "endless" canon an actual infinite aspect by not really closing the particular music but rather fading out its conclude. Most of the other existing major mp3s of the master work always looked unsatisfactory in my experience. Usually the orchestrations are usually "too massive" generally pompous. Perhaps Okonsar made the best contemporary option about the instrumentation (which is in fact not specified in the particular score). The Belgian musician once reported that if perhaps Bach lived today he would probably have used electronic instruments due to the fact he is bound to have been generally attracted together with the brand new sound assets associated with his time frame. Okonsar, composer, conductor and musicologist in addition to pianist is one adept of the actual "Free Music" ideological background. Every bit of his downloads happen to be shared according to the actual independent musician and performer. This is undoubtedly a good uplifting attitude which in turn, according to the performer will be of large profit to both most of the artist, the entire release along with the classical music community. Similarly the very main digital video site Youtube(r) possesses a numbers of Okonsar performance media. Commonly his Disc publications are simultaneously published as video recordings into the artist’s Youtube(r) channel: mokonsar. About the Author: 相关的主题文章: